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Coin Locker Babies, by Ryu Murakami
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A surreal coming-of-age tale that establishes Ryu Murakami as one of the most inventive young writers in the world today.
Abandoned at birth in adjacent train station lockers, two troubled boys spend their youth in an orphanage and with foster parents on a semi-deserted island before finally setting off for the city to find and destroy the women who first rejected them. Both are drawn to an area of freaks and hustlers called Toxitown. One becomes a bisexual rock singer, star of this exotic demimonde, while the other, a pole vaulter, seeks his revenge in the company of his girlfriend, Anemone, a model who has converted her condominium into a tropical swamp for her pet crocodile.
Together and apart, their journey from a hot metal box to a stunning, savage climax is a brutal funhouse ride through the eerie landscape of late-twentieth-century Japan.
- Sales Rank: #233112 in Books
- Brand: Brand: Kodansha USA
- Published on: 2002-08-09
- Original language: English
- Number of items: 1
- Dimensions: 5.20" h x 1.20" w x 7.40" l, .80 pounds
- Binding: Paperback
- 400 pages
- Used Book in Good Condition
From Publishers Weekly
The third of this prolific Japanese author's 30 novels to appear in English, this is a cyber-Bildungsroman of playful breadth and uncertain depth. Two mothers abandon their infant boys in the Yokohama train station's coin lockers. The reader is not spared the mechanics of packaging a child in a parcel, nor the grim details of any of the other episodes of discomfort and suffering which follow in incremental doses, though always with such whimsy that the reader wonders whether or not to be offended. The heroes, Kiku and Hashi, grow up together; but, beyond their bizarre beginnings, they couldn't be more different. Kiku becomes a homicidal pole-vaulter whose inner rage gives him unusual speed and strength, but which also fosters an obsession with murder and a secret drug that sets any creature into a killing frenzy. The more delicate Hashi strives to find his mother, supporting himself as a prostitute in Toxitown?a chemical disaster zone insulated from Tokyo by a wall and armed guards?until one of his johns discovers his musical talent and makes him a star. The settings seem lifted from Japanese animation epics: an abandoned mining town, an underwater tunnel and a retreat in the mountains. At times, Murakami rambles, as in the case of a taxi driver's pointless monologue or the long interviews with women who might be Hashi's mother. Such digressions, however, are less the product of careless craft than of a lush and frantic imagination overwhelming its own project. Though expansive and exciting as its scope, the novel is as unfocused as its troubled heroes.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
In 69 (LJ 9/15/93) Murakami's last novel published in English, the prevailing tone was one of hip innocence. In Coin Locker Babies, any hint of innocence is decidedly absent. The coin locker babies of the title are two abandoned infants rescued from train station lockers, and the novel follows their adventures through boyhood into manhood. They wander through the sort of hellish, surreal landscape usually associated with dismal sf visions of the future, but in this book the hell is contemporary Japan. The journeys of the two are relentlessly dark and disturbing: matricide, violent sex, mutilation, vengeance, insanity, perversion, and mass destruction are all explored, usually graphically and with relish. The work of Murakami?who is also a filmmaker?begs comparison with film. Robocop comes to mind as bearing the closest resemblance to this novel, although the book lacks the satiric edge that many claimed to have found in that film. Large collections with a particular interest in contemporary fiction may find a place for this. Otherwise, it is not recommended.?Mark Woodhouse, Elmira Coll. Lib., N.Y.
Copyright 1995 Reed Business Information, Inc.
Review
"The third of this prolific Japanese author's 30 novels to appear in English, this is a cyber-Bildungsroman of playful breadth and uncertain depth . . . The settings seem lifted from Japanese animation epics: an abandoned mining town, an underwater tunnel and a retreat in the mountains. . . .a lush and frantic imagination . . . expansive and exciting." -Publishers Weekly"A knockout ... a great big pulsating parable." -Washington Post"Deliciously grotesque." -Philadelphia Inquirer"The work of Murakami who is also a filmmaker begs comparison with film. Robocop comes to mind as bearing the closest resemblance to this novel." -Library Journal.".. an amazing, imaginative adventure." -Beverley Curran, The Daily Yomiuri"Its power grabbed me by the heart."-Banana Yoshimoto, best selling author of Kitchen"Devilish and brilliant." -Oliver Stone, filmmaker"Startlingly hip, frighteningly inventive." -Roger Corman, filmmaker"A writer with talent to burn." -Gary Indiana, author of Rent Boy
Most helpful customer reviews
2 of 2 people found the following review helpful.
Engaging look at the effects of adoption, even in Japan
By Dolce Bellezza
I first heard of this book when Michael Wong, of Ideagist, visited my Japanese Literature Challenge 2 blog and asked me if I had a copy. I told him I'd buy him one, which I did, but when it arrived from amazon.com I had to see what it was about. After reading a few pages, I ordered him another, and sat down to immerse myself in this story.
Like so much Japanese literature I've read, there's a quality of fantasy that's hard to put one's finger on. Is it the author's imagination run wild? Or, as in a John Irving novel, is the bizarre not so bizarre after all? Somehow, after the first hundred or so pages, the reader doesn't even mind if strange creatures come into the characters' lives, or absurd thoughts present themselves to the characters' stream of consciousness. It all seems perfectly natural, somehow, in a piece of well written literature.
Coin Locker Babies is about two babies who are abandoned by their mothers in train station coin lockers. "Two troubled boys spend their youth in an orphanage and with foster parents on a semi-deserted island before finally setting off for the city to find and destroy the women who first rejected them. Both are drawn to an area of freaks and hustlers called Toxitown. One becomes a bisexual rock singer, star of this exotic demi-monde, while the other, a pole vaulter, seeks his revenge in the company of his girlfriend, Anemone, a model who has converted her condominium into a tropical swamp for her pet crocodile. Together and apart, their journey from a hot metal box to a stunning, savage climax is a brutal funhouse ride through the eerie landscape of late-twentieth-century Japan." (front cover flap)
The theme of abandonment, and the pain that causes, runs throughout this novel. Regardless of culture, or life style choices, the distress which comes from knowing that their mother has left them becomes almost unbearable for these two young men. We see their choices, most of them which are self-destructive, in their pursuit for self-acceptance. Secondary, to me, was the plot line which in itself is enthralling; I chose to dwell on their emotional aspects first rather than the physical ones.
This novel looks at what it means to be a child and an abandoned one at that. It is heartbreaking and insightful, especially to those readers who may have been adopted themselves. Regardless of culture, regardless of age, regardless of reason, being adopted is painful. Yet there is comfort in exploring the issue, in knowing that other adoptees have similar feelings.
I found this an incredibly profound work, as well as a fascinating look into the Japanese world.
0 of 0 people found the following review helpful.
The strange and fun journey through the lives of two boys abandoned in ...
By steve
The strange and fun journey through the lives of two boys abandoned in train station coin lockers at birth. More engaging story than Almosy
Transparent
Blue, the only other Ryu Murakami book I've read, although the language (possibly because of translation) isn't at the same level.
4 of 4 people found the following review helpful.
Ultimately uplifting
By Henry Platte
I put off reading this book for a long time because I thought, from reading the cover, that I knew exactly what it was going to be like; snide, hip and cynical, and hopelessly depressing. It is all of those things to a degree, but it's amazing in that despite its relentless depiction of casual violence, squalor and destruction, Coin Locker Babies still manages to be deeply human at every turn.
Sympathy is developed first of all for the main characters, who seem completley justified in their bitterness and eccentricty; the book first follows their twisted yet idyllic childhood with their foster parents on an island. The foster parents, painfully ordinary people, are treated with much more tact than I expected. At different points, the mother and the father each express regret that they failed to be better parents; the moments are touching and redeeming.
The psychology in this book, though spotty at times (because some of the characters are just so bizzare), is accurate in that the signficance of it is considered. While Kiku and Hashi might be dramatic and larger-than-life, their dependance on each other and on their foster parents, and their complicated attitudes towards the mothers who left them to die, keep showing through. The relationship between the bisexual Hashi and his wife is also very convincing; that between Kiku and his girlfriend less so, though.
The author also doesn't neglect scenery, or the small, basically irrelevant details which add charm to a narrative. There's a host of loveable minor characters, the best of them convicted murderers, who become in time as sympathetic as Hashi and Kiku. In the end, also, the message is tentatively optomistic, holding up the decree YOU MUST LIVE in the face of disaster. This is one of the most complex, engaging and endearing contemporary novels I've come across, and shows that there may be hope even for this frenetic, disillusioned generation.
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